

The Atlantic Canada Beer Blog is a great resource for keeping up with brewery news, beer releases, and other important information about the brewing scene throughout Atlantic Canada. They recently contacted me to do an interview on both this project and to talk about the current brewing scene in Newfoundland. If you’re interested you should check it out here.
Over the last few weeks I have been doing lots of little pieces of research that I’m working on putting together into posts. Some of the topics I’ve noticed people looking for on the blog, while other’s I just cannot find anywhere else on the Internet. Here are a few of the things that I have in progress right now.
The original most interesting man in the world, from the Bennett Brewing Songbook, won Movember before it existed.
So, I have no shortage of work to do! In the next month or so I’m hoping to get posts written up on these topics, so keep checking in with the Newfoundland Beer History project!
Hark, what’s that noise, out by the porch door?
Dear Granny, there’s mummers, there’s twenty or more.
Her old weathered face lightens up with a grin.
“Any mummers, nice mummers ‘lowed in?”
It’s Christmas time in Newfoundland and I’m home for the holidays, which means drinking lots of Newfoundland Christmas beer.
Fortunately for craft beer drinkers, two of Newfoundland’s craft breweries have recently started producing seasonal ales for the holidays. Quidi Vidi began producing their Mummer’s Brew (an rich Amber Ale) several years ago.
Originally featuring a Newfoundland Mummer’s party – a night of dressing up and touring around the community dancing, drinking, and playing music – the label has now been modernized to fit in with their new streamlined packing design. Its available on tap at a few places in the city (I’ve had it at Christian’s on George and the Duke of Duckworth so far) and it’s also in 6-packs at NLC locations and at the brewery (which is also beautifully decorated for Christmas)!
The other seasonal beer brewed up for Christmas is Yellowbelly’s Mummer’s Brew. I know – I know – there are only three craft breweries in Newfoundland and two of those three have made a Christmas seasonal with the same name… Go figure!
Yellowbelly’s Mummer’s Brew first appeared in 2011 when it was a quite tasty spiced Winter Ale. This year (2012) it has changed to a 7% Chocolate Porter. Its available down at the brewery on tap and in bottles, which you can also find at NLC locations.
I should mention that Storm’s Coffee Porter has long been a Christmas tradition for me. It’s their Winter seasonal! (See my post on Storm for more about them!)
Oh, I suppose you fine mummers would turn down a drop,
Of homebrew or alky, whatever you got.
Sure the one with his rubber boots on the wrong feet,
needs enough for to do him all week.
As the first year comes to a close for the Newfoundland Beer History Project, I’d like to say thank you for everyone that’s shown encouragement for this project and who has shared in my interest in learning about Newfoundland’s beer history! Over 10,000 people have checked out this blog in this first year and I’ve got a lot more planned for the future. I hope the holidays treat everyone well and that good beer can find you where ever you are!
Just a little update post to let you folks know that I’ve post a set of Classic Newfoundland Beer Bottle pictures over on the Newfoundland Beer History facebook page. They’re pretty grainy in quality, so I’m not intending to host all of them here. Most of the bottles are ones that I have posted elsewhere on this blog, but there are a few new ones which will be featured in upcoming posts.
Can you honestly say that if you had 1960-80s bottles and contemporary ones you wouldn’t snap a quick pic with your phone camera?
Blue Star is perhaps the most iconic of all Newfoundland beers. Still atop the top selling beer list at the Newfoundland Liquor Corporation (at least as of this writing), Blue Star is rivalled only by Black Horse as the nostalgia macro most recognized by Newfoundlanders as their very own. Blue Star has had not shortage of coverage on this blog either. My evolution of Blue Star is one of the most popular posts and brings us through its many changes since the 1960s.
Writing a blog about history is a tricky thing because you are really tied to your sources. Sometimes you find a bunch, sometimes months go by without anything coming up. Well, recently I repatriated, to Canada at least, a bunch of Blue Star labels from a collection over in Hull, England. So, in this post: six more Blue Star labels and my best attempts at putting them in correct order.
I’ll start with the label I think is the oldest. It has to be newer than 1974, when Labatt took over the Bison Brewery in Stephenville, and older than 1981. If you have a Blue Star label which lists both locations it’s likely from somewhere inside that window of time. I think this might be the oldest because it lists “Over 4% alcohol by volume,” which was the norm until the 1970s. I would estimate this one is from around 1975.
The only differences between this one and the last is the text color and, as noted above, the change in how the alc/vol is listed.
Spot the differences! In the 1970s the slogan “The Star of Newfoundland” replaced “The Premium Quality Newfoundland Beer” line. The only difference I can spot between these to examples is the reverse of the text on the sides.
I’m going to go out on a limb and argue that the slogan “The Sportsman’s Friend” came after “The Star of Newfoundland.” Why? Well, in the above label Stephenville has been dropped from the brewery’s locations. Everything else though, seems to remain the same.
Ok, I want to finish up with a tough one. First, here is the second part of the label, the tie:
Both of these have the slogan “Newfoundland’s Premium” which I think was used in the 1980s. Stephenville is not listed, so it’s outside of the 1974-1981 window. Since it’s listed as 5%, it’s likely past 1981. In order to have a tie around its neck, it needed to have a neck, so this was also post-stubbie. Here’s the odd thing. It lists “Blue Star Brewing Company” as the brewery. Now, checking the trademark database shows that Labatt has owned the trademark “Blue Star” since 1967, so this company was clearly Labatt trying to distance its name from the brand (see the trademark database here). Why they might do this, I don’t know. It might be a move predating Rickards, Shocktop, Blue Moon, Alexander Keiths, and other “crafty” beers brewed by big brewers without much reference to their main brand. Why they’d do it in 1980s Newfoundland is unknown.
It’s my guess that this was the label used until the label change to the very-1980s labels I have in scruffy condition below.
Note that it’s listed as a “Bavarian Lager” again on these labels. So, a few more steps along the way of Blue Star evolution have been found and documented!
On another note, reader Curtis Wiest recently send me in this picture of a few stubbies he has tracked down. He’s trying to put together enough to recreate Sean Hammond’s famous “Newfoundland Stubbies” painting (see the painting here) and he’s a few short. He contacted me to let me know he found an O’Keefes Extra Old Stock one already, but he’s still short a Jockey and a India Beer. Can anyone help him out? Come to think of it, since I’ve never seen an India or a Jockey stubby, if you have one could you send along a picture?
If you’ve been to Newfoundland you’ve likely taken note of a fairly strong connection to British and Irish traditions within the province’s music, culture, and perhaps even in its beer. Popular places to grab a pint are regularly decked out in Irish garb – places like Bridie Molloys, The Republic, or Christians to name a few – or, like the famous Duke of Duckworth, more grounded in the British pub experience. But what about Newfoundland beer? In this post, a reappraisal of Webb and Beaumont’s classification of Newfoundland as having weak “British Traditions” in the light of the history of German-Newfoundland brewmasters.
In Tim Webb’s and Stephen Beaumont’s excellent should-be-on-your-self reference The World Atlas of Beer (Sterling Epicure, 2012), they describe Newfoundland as having a “weak British influence.” In a wonderful map showing where immigrant populations brought their beer traditions from the old world, the authors illustrate how Canada was colonized by Old World beer. They write, on page 206, that in the Atlantic Provinces “beer drinking is arguably a more social act than anywhere else in Canada, ‘sessionable’ English and Irish beer styles – those with a lower-alcohol content – have long held sway.”
I don’t particularity want to dispute Webb’s and Beaumont’s assertion, surely it holds for some of they Atlantic provinces, and as much as I would like to imagine a Newfoundland full of pale ales, bitters, and stouts, with the exception of Yellowbelly’s recent arrival, it does not seem, historically, to be the case. Newfoundland’s beer – or at least the beer traditionally associated with Newfoundland – seems to be dominated by generally fizzy yellow, crisp and clean, stuff. Even the great Michel Jackson once wrote that “Newfoundland is particularity proud of its full-bodied local beers, which tend to be darker and heavier and more bitter than elsewhere,” yet he puzzled at the notion that “the much-vaunted Dominion Ale” was “in fact, bottom-fermented” (The World Guide to Beer, Prentice-Hall, 1977, page 201). One way to see it might be to think that Newfoundlanders, more than most, fell for the ‘lite’ lager beer proffered by American and Canadian macro breweries. History, however, provides a more subtle story.
While Newfoundland’s culture might provide the logical jump to imagine Irish red ales and British best bitters, our brewing history shows a deeply Germanic influence. In his book Vikings to U-boats: The German Experience in Newfoundland and Labrador (McGill-Queens University Press, 2006), Gerhard P. Bassler has undertaken a great deal of research into the history of German-Newfoundlanders and their contributions to the province’s history. Among their many contributions, brewing expertise and knowledge stands out.
Bessler describes his own sence of historical surprise at Newfoundland’s lapse in historical memory when it comes to German brewing. When arriving in Newfoundland in 1965, just years after all of Newfoundland’s breweries were bought by Canadian ones, Bassler describes the “paradox that Newfoundlanders, who claimed to be British to the core, consumed a superb-tasting German-style lager beer brewed by a local so-called Bavarian Brewery” (ix, he is likely referring to Blue Star). For a full account of the German experience in Newfoundland, of course, you ought to consult Bessler’s book. Here, to make the point that Newfoundland is perhaps more German influenced than British, I will just jump through some of his account of German brewmasters.
The J. Lindberg Brewing Company, founded in the early 1880s on Signal Hill, was one company which lead the first charge towards lagers over the ales which likely would have dominated the scene. While it is difficult to estimate the Lindberg Brewing Company’s impact, Bassler does report that the brewery employed around twelve men and “had an annual output of 8,000-9,000 gallons,” mostly of a self-proclaimed “Bavarian” lager (116). Lindberg was listed in the press as a “German beer baron” in 1885 despite also being the importer for several imported brands like Guinness and Bass. The company was also involved in a legal case – “the famous Bavarian beer case of Sergeant M. Kearney versus John Lindberg” – where beer was first licensed as distinct from malt liquor in Newfoundland. Bassler even notes that Lindberg was awarded a medal for his beer at the Paris exhibition of 1891.
While, as noted elsewhere on this blog, the Lindberg Brewing Company disappeared before the First World War, likely due to the dance of restrictive liquor laws leading up to the eventual prohibition of liquor in Newfoundland, other German brewmasters would have “a profound impact” on Newfoundland “beer brewing and consumption” after the Second World War. Bassler explains the conditions of Newfoundland beer between prohibition and the Second World War:
During the nine years of prohibition in Newfoundland (1915-24), only so-called near-beer (a beverage not exceeding 2 per cent alcohol content) was available, and thereafter the choice of local brews seems to have been limited to either a low-alcohol English pale ale or a strong, but bitter draft beers. All Newfoundland beer from the time of World War I was brewed by English or local brewmasters in two breweries (the Bennett and the Newfoundland Brewing companies) designed on the English ale system. They had no quality or standards control. Then virtually overnight in 1932 all Newfoundland breweries reintroduced and begun brewing lager. German brewmasters were brought in to be in charge. (170)
This change fits into the wider trend for lager beers within the United States (as discussed in other posts on the blog), but the suddenness of the change is remarkable. Bassler attributes it to Garrett Brownrigg’s attempts to add a new, “modern brewery to his soft drink business” which then set of a competitive explosion between the breweries for “the best German-type and quality beer” (170). Thus, after a scouting trip to Germany where a brewmaster named Brehm was hired and blueprints were acquired, the Brownrigg Brewery was founded on Leslie Street. Brownrigg, unable to afford the massive costs of a modern German brewhouse, eventually went into foreclosure and his brewery was acquired by Albert E. Hickman, who renamed the brewery Bavarian Brewery as a sign of quality.
Bassler goes into some detail about the brewmasters of the brewery. Hans Schneider (until 1938) apparently lived in an apartment above the brewery, formulated Jockey Club, and made “Bavarian Newfoundland’s largest, wealthiest, most modern brewing operation” (172). Max Weber succeeded Schneider in April of 1938 but was older and slightly more curmudgeonly than his predecessor and, with the outbreak of World War Two, was sent to an internment camp where he died (Bassler goes into much more detail on this matter elsewhere in his book which is very much a social history, so do check it out). A German-American brewmaster, Valentine Foltz, replaced Weber and after the war in 1946 Jake Guehring took over brewing command into the 1950s.
The Bennett Brewing Company also began to switch to German brewmasters in the 1930 by first employing a brewmaster named Scheuermann to remodel the plant and then bringing a brewmaster named Hans Wich from Germany to manage the plant. Again, Bassler goes into detail about Wich’s much more fortunate life in Newfoundland – he was one of the few people who became wealthy enough to own one of the nation’s fifty licensed cars in the 1930s – and Wich’s investment of much of his wealth in the nation before eventually leaving Bennett after a failed attempt at partial ownership for a brewery in the New York.
The Newfoundland Brewing Company also went German in the 1930s going through a list of brewmasters: “Otto Scheffhauser, Allan Hann, Hank Frolich and Fritz Neumeister” (175). The brewery was also, like the other two, modernized with new equipment designed to improve quality and to better produce the German-style beers favored by the new brewmasters. It was, Bessler reports, not uncommon to hear loud German banter ringing out of the brewery to celebrate the arrival of new supplies from German-American salesman.
There is much more to the story of the German brewmasters outside of the beer they brewed which Bessler aptly recounts in his chapter on the internment of the brewmasters during the war. There, he describes the fears of poisoning beer and consumer perceptions of German beer put these new immigrants into very difficult situations. The competitive aspect of their profession is not to be forgotten either, as many of these men could not openly talk to each other despite being a part of a very small contingent of German-Newfoundlanders.
The impact of German tastes on Newfoundland beer is still difficult to tell. While German brewmasters continued to be employed by the three Newfoundland breweries until they were bought in 1962 (and after), it is hard to say wither American and Canadian lagering tastes or Germanic brewmasters were more pivotal for ending the British ale tradition in Newfoundland. It’s likely that both mattered, but what is clear is any “British tradition” in Newfoundland’s beer culture and tastes was in decline in the 1930s. From then on, it was, at least weakly, German.
While Newfoundlander’s might be sipping a beer sitting in an Irish Pub – though let’s not forget, the oldest Irish pub on George Street is still younger than the Avalon Mall – that beer, if it’s one of the nostalgia macros like Blue Star, Jockey Club, or India Beer, is steeped in German brewing traditions. It is surely plausible that these beers have been lightened over the years since 1962 when they became part of larger breweries from Canada, there is evidence that these beers have always been deeply shaped by the lager suitabilities of German brewmasters like Jake Guehring and Hans Wich, rather than ale experts from England. So, with respect (and lots of it) to Webb’s and Beaumont’s efforts, remembering Newfoundland’s brewing heritage shows a weak German tradition which ought not be forgotten despite the Irish and British pub pump and circumstance.
Admittedly a historical view on beer in Newfoundland is not the place to talk about beer news or contemporary beer events. For something like that, well, see the excellent Atlantic Canada Beer Blog. This one development, however, merits a little note. The creation of a specialty order beer club in Newfoundland, called Beer Thief, is something pretty special. While most readers of this blog have likely read the number of news reports about the club, here I’d like to point to the beer community which the club has fostered.
Black Horse Can, Steve Shorlin 2013.
In short, the Beer Thief club was founded by Mike Buhler, a Newfoundland-based level-2 Cicerone, and Tom Beckett, an important figure in the better drinking world in Newfoundland. They work to connect breweries to Newfoundlanders who normally cannot access things outside the NLC’s limited selection. Thus far they have facilitated private orders from breweries like Dupont, Dieu Di Ciel, Les Trois Mousquetaires, and Propeller, bringing styles like IPAs, Saisons, Imperial Stouts, Kellerbier, and Triples into the province for the first time – maybe ever – without a suitcase. As a fan of Newfoundland beer, this is pretty amazing stuff.
Blue Star Can, Steve Shorlin 2013.
One of the key developments has also been the community which has developed around the club on their forum, where Newfoundlanders meet to discuss better beer, homebrewing, and ways to improve the province’s beer scene. All I want to do here is point you, dear reader, towards them. If you are reading this, you likely care something for beer in Newfoundland or are planning a trip to Newfoundland. The BeerThief forums are perhaps your best resource to ask questions about where to drink or what to do related to beer. Plus, now that Muskoka Brewing has started distributing to NL, it’s a great time to be a beer enthusiast in Newfoundland. So get involved!
Dominion Ale Can, Steve Shorlin 2013.
As you’ve been reading you’ve likely noticed some of these really wonderful images of classic Newfoundland cans, which have never been featured on this blog before. In fact, I have rarely ever seen a picture of a beer can from Newfoundland on the Internet before I was introduced to these ones. They are a set of photos and artifacts owned by Steve Shorlin, who you can check out here on Flickr (they’ve been used here with his permission). He’s one of the many great people over on the BeerThief forums. In some upcoming posts you’ll likely see a few more images from his amazing collection that he’s been nice enough to share with me. He’s recently sent along a few pictures of some great Newfoundland beer coasters, so maybe it’s time for a little post on Newfoundland beer mats…
Newfoundland Beer Cans, Steve Shorlin 2013.
Beermats are an under appreciated art form. So under appreciated, in fact, that I had almost forgotten I had been working on collecting together a few Newfoundland Beermats. Sitting down last night with Nicholas Pashley’s Notes on a Beermat finally jogged my memory and, well, here we are. Apologies to Mr. Pashley for the title.
In this post I have two sets of Beermats to share. One is a great set of Black Horse mats produced for the 500th anniversary of John Cabot’s “discovery” of Newfoundland in 1997 shared with me by Steve Shorlin and the other is an older set from Bennett Brewing which I purchased last summer. Both sets partake in something that is quite common in beer advertising, but worth noting again here. They both try to build themselves into Newfoundland’s history and sense of place.
The historians E. J. Hobsbawm and T. O. Ranger have called this kind of marketing (for the lack of a better work) move as an “invented tradition.” A tradition is invented, they argue, when something seeks to come off as very old – something that tries to write itself into the past – without actually being very old at all. They cite the kilt as a primary example, which, they argue, was built into Scottish culture in the 1800s by English fabric merchants. That’s their argument, not mine! For a less controversial point, let’s look at some Black Horse Coasters.
Photo from Steve Shorlin, newfoundlandsteve on Flickr, 2013.
“The Unofficial Brew of Cabot’s Crew” series of coasters snuck the iconic Black Horse into various Newfoundland scenes like (above) in Bonavista and (below) on top of Cabot Tower on Signal Hill.
Steve Shorlin, 2013.
The Black Horse, it seems, has been everywhere in Newfoundland! From an iceberg in Twillingate to playing coxswain in the St. John’s Regatta.
Steve Shorlin, 2013.
Steve Shorlin, 2013
This series was accompanied with a slogan “500 Years of Horsin’ Around” where Black Horse did its part to provide Newfoundland pub trivia and language lessons.
Steve Shorlin, 2013
Steve Shorlin, 2013.
Steve has more of these over on his Flickr, so if you like them you can find a few more there. Now, back to what I was saying about “invented traditions.” As readers of this blog know, Black Horse was a major mainland brand for many years, so having a brand so associated with Newfoundland’s past strikes me as inventing the tradition of Newfoundland Black Horse. Black Horse was, as these beermats attempt to prove, not just another brand: it was a Newfoundland brand, through and through. (The Thoroughbred!)
These pictures were also on Black Horse bottles. Steve Shorlin, 2013.
The idea of an “invented tradition” works better when we get to the Bennett Brewing coasters. I’m just going to post all 6 coasters now and we’ll get back to talking about them after.
For more, see here.
For more see here.
I maintain he was out there geocaching.
With all the talk of “Newfoundland tradition” in the coasters, and the line “Bennett relives Newfoundland’s past,” it’s a little easier to see what I’m trying to get at with the “invented tradition” thing. I doubt many of the stories actually ended with a Bennett Beer or that Bennet Beer was that widely available at the time. Most of the stories seem to be based off the ones found in the The Treasury of Newfoundland Stories, which itself was produced by Maple Leaf Mills Limited (now just Maple Leaf). The coasters were sold in a pack of 6, as we can see from the advertisement below from the Dominion Ale Songbook (of which I have more to say on in another post).
If I ever make an NL Beer History beermat, it will steal that line: “A bit of our past to put under your glass.”
“A real collector’s item” indeed! I picked my set up, still in their plastic wrap, in St. John’s last summer. I sadly had to open the pack to scan them, which I guess is for the greater good. It seems, since we don’t have the stories listed in the advertisement, that there is another set, or at least another few, coasters out there which I’d love to track down. Either way, the stories and the images (by cartoonist Ted Michener) are pretty fantastic.
Beer seems to be one of those things that always wants to make itself more familiar to its drinker. Breweries strive to make their beer one that has a sense of place even if it’s owned by Carling O’Keefe (as Dominion was in the 1970s) or Molson (as Black Horse was in the late 1990s). Where Dominion’s advertisements seemed aimed at regaining local confidence and their Newfoundland identity after their takeover by a multi-national, Black Horse’s seem to represent a beer trying to become the icon of Newfoundland. Both worked to etch themselves into the culture of Newfoundland through carefully purveying history alongside with their beer. Of course, the result of tradition-inventing are brands which did take on real meaning – and which already had real meaning – to many drinkers. For me, a big part of the fun of history is finding out how these meanings came into being.
I was flicking through the latest issues of Occasions Magazine from the NLC and noticed that The Rooms, a Newfoundland cultural centre which combines art and museum displays, was featuring a collection of Newfoundland consumer and popular items. The collection, “Here, We Made a Home,” is currently running in the Elinor Gill Rarcliffe Gallery on the fourth level and features a small collection of Newfoundland Breweriana.
Here is quick photo of the main exhibit’s feature of Newfoundland beer bottles, “An Honest Uncomplicated Brew.”
Readers of this blog will likely get the reference made by the title of the collection, which refers to a Jockey Club label from the 1970s/80s. It’s a subtle reference, but a nice one.
The collection features both a recent bottle of Quidi Vidi Light and Yellowbelly Pale Ale (I joke that both could have come from the NLC location visible from The Rooms upper floors) and two old India Beer Bottles, as well as a Dominion Ale bottle. They date both the larger bottles to early-1900s and the stubby to mid-1900s.
Not to be outdone, when I got home I decided to stage up a few bottles of my own in the same ordering. Can you spot the differences?
A few differences are obvious, the big one being I don’t have a India Beer stubby though I think the Blue Star is a nice substitute. The India Beer bottle featured here in our photo is a new one from the collection of Capt. Don Winsor which was donated by Matthew Beverley. I’ll have a longer post on a few others he donated soon!
The is clearly much more Newfoundland history on display in the ”Here, We Made a Home,” collection which is very much worth discussing and viewing. If you’re in town, it’s very much worth checking out!
During the period that followed the Second World War, beer advertising became big business. Across North America, brewers jockeyed for the beer dollars of the rapidly growing cohort of baby boomers by illustrating how their beers were part of a healthy image of domesticity or a youthful and active product. In Newfoundland, however, one of the most successful kinds of advertising was the songbook. Newfoundland Songs, published in ten editions between 1950 and 1977, showcased the songs of Newfoundland to sell cases of Dominion Ale. Found within cases of Bennett Brewing and later (after 1962) Carling O’Keefe products, the songbook played with nostalgia write the Bennett brand deeper into Newfoundland’s history.
In their 1978 article in the journal Culture and Tradition, folklorists Paul Mercer and Mac Swackhammer provide a good cultural history of the songbook. They argue, not unlike today’s nostalgia macros, songbooks were the continuation of a long process of appealing to “the present ‘modern’ generation to participate with pride in these aspects of the good-old-days” (36). Songbooks have long been a useful way for marketers to make their advertisements last longer. Publish an advertisement in a paper and you’ll likely be seen for a day, make your advertisement a part of a culture of singing and ensure your book is valuable and circulated around rural outports, and you’ll be seen for generations. Ask around a well-kept outport home where music was a part of their tradition and you’ll likely find a well worn Dominion or Bennett Songbook.
Mercer and Swackhammer outline a long history of these songbooks, where advertisements were even included as songs, however, since they have well covered the evolution of this art in Newfoundland, I’ll leave that aspect for them. We’ll pick up the story with Gerald S. Doyle. Doyle was a travelling salesman who circulated almanacs and songbooks advertising for the A. W. Chase medicine company. But Doyle was also a collector of Newfoundland songs who published his collection in free books found at his drug outlets throughout the island.
An older (pre-1962) label for Bennett Haig Ale. At the time of the songbooks, it would have been switched to the iconic blue label.
The Bennett Brewing Company aimed to emulate Doyle’s success and “began to publish its own books, modelled on and copied from Doyle’s” (39). Bennett Brewing extended upon Doyle’s advertising rhetoric by making their beer more deeply implicated within the traditional material they were transmitting. They also played upon their history within the province as “The oldest manufacturing industry in Newfoundland” by putting their own history as the frontispiece or centrepiece of the songbook. Adorned with lines like “A Newfoundland Tradition, HAIG ALE” and “A rainbow at night… A sailor’s Delight, Not only at night, Rainbow Beer is always a delight,” Mercer and Swackhammer argue that Bennett carefully aligned the good times and singing offered by the songs in the book with the product they were selling.
Interestingly, they note that when Bennett Brewing was purchased by Carling O’Keefe in 1962 there was a change in the style of the songbooks. After the purchase, they argue, the songbooks “no longer reflected a Newfoundland self-consciousness, but a mainland conception of Newfie-ism designed to sell beer.” The songbooks I have from 1974 and 1977 (an partially aimed at tourists visiting Newfoundland for the 1977 Canadian Summer Games), show some of the characters and distinctions Mercer and Swackhammer point out, but I think they are perhaps a little too strong in their “mainland conception” argument, as we will now see.
The Eighth Edition from the early 1970s sticks more to the “wrapper ads” style, with advertisements for Domion Ale, “A great Newfoundland tradition,” O’Keefe’s Extra Old Stock (an O’Keefe brand that lasted in Newfoundland until the 2000s), Old Vienna (another O’Keefe brand no longer found in Newfoundland), and Black Horse (yet another O’Keefe brand which made no allusions to being from Newfoundland). The Domion Ale ad is particularly interesting:
The copy reads:
There’s something really different about the first time you sit down to enjoy a Dominion. One look at it tells you to get ready for a satisfying, ‘all male’ taste.
Dominion’s brewed high on the hops to give you a true, distinctive, ‘for men only’ flavour. It’s the proud product of over 140 years brewing skill. A great Newfoundland tradition.
That’s why the men who know beer best consider Dominion an old friend. It you haven’t uncapped a Dominion in a while, why not make a new friend out of an old friend?
Enjoy a Dominion Ale. You’ll know you’re having one.
Besides being overtly masculine, “You’ll know you’re having one” has to be the worst tag line in any beer advertisement ever. Though perhaps it’s better than some modern beers where you almost don’t know if you’re having one. The foreword and acknowledgement outline a little more of what was outlined above. It reads:
Foreword
The colourful history and tradition of Newfoundland are perpetuated in the songs of her people. In this collection of favourites we glimpse the daily lives of the hardy, happy folk who tackled heavy seas and rocky soil with a rich sense of humour.
Today their songs are sung with pride by Newfoundlanders who delight in fond recollection of the days gone by and by others simply for fun and amusement.
The Bennett Brewing Company takes great pleasure in presenting this eighth edition of our little songbook. Like our products, it is purely for your pleasure.Acknowledgement
We gratefully thank Gerald S. Doyle Limited for the use of their publication “The Gerald S. Doyle Song Book” from which we obtained the words to the songs in this book.
In doing so, we salute the memory of that great Newfoundlander, Gerald S. Doyle, who devoted so much of his time to collecting and perpetuating the songs of his beloved island home.
The songs featured included:
The illustrations in the eighth edition are minimal. Directly in the middle of the book there is an account of the history of the Bennett Brewing Company which I plan to transcribe elsewhere. The following edition, the ninth edition from 1974, was printed on heavy stock paper and remembered with nostalgia Newfoundland’s entry into confederation 25 years earlier.
George Tilley, the provincial general manager of Bennett Brewing (then a subsidiary of Carling-O’Keefe) welcomed readers:
The song-list had indeed been updated to reflect the new songs by Dick Nolan. The contents now included:
The “Dominion Coaster Offer” discusses the set of coasters I talk about elsewhere. Surprisingly, the book itself has little to do with selling beer and there is little brand-tie-in, even in Dick Nolan’s “Liquor Book” where only screech is mentioned by name. I find that Mercer’s and Swackhammer’s accusations of these being overtly mainland interpretations of Newfoundland in this edition to be a little strong. The only proper beer advertisement in the book is the below one for Black Horse (perhaps because it was a national brand, so the book could be sold on the mainland), but there is little about the ad which references Newfoundland. Even the cartoon, one of the many done by Ted Michener for Carling-O’Keefe at this time, is more Canadian than Newfoundland-focused.
The 1977 tenth edition of Newfoundland Songs was the last and is also one of the more common examples to still find around Newfoundland today. They, like the ninth edition, can sometimes still be found at used book stores for somewhere under $15.
While in a slightly slimmer format than the previous editions, it was still found in cases of beer and featured some of the most detailed illustrations of any version of the songbook.
It’s hard to choose just a few of these pages to reproduce here, since they all have at least some kind of illustration. (If you are interested in higher quality images, I have copies of the original songbooks.) There is very little to do with beer advertising in this final version. Except for the “A bit of our past to put under your glass” coaster advertisement, there was almost nothing else to show the products of Carling O’Keefe as responsible for the songbook. The final page included a simple ad for “Dominion Ale: A Newfoundland Tradition” and the final pages included, as always, a little historical snippet of the history of the Bennett Brewery.
Of the songbooks, I think this final tenth edition is the one with the most character. It contains most of the songs found in previous editions (including the Dick Nolan ones introduced in the ninth edition), but because of its pocket size and really wonderful illustrations, it’s really something special. Some of the songs even include music notion, which was not found in many of the older editions.
Mercer’s and Swackhammer’s article was published in 1978 which is almost as far away from us today (almost 40 years) as Doyle’s first songbooks were from them. Their work, as folklorists, aimed to unmask the “simplistic view of the past” as presented in these songbooks, to uncover how “a living tradition has been made iconic, reduced to jargon, and put to work for commercial purposes” (45). 1977 was the last year the Bennett Songbook was published and it is worth reflecting now on what has been lost in the absence of even this “potentially harmful symbolization of folklore.” The songbooks, while their content and presentation may have been invented, are an important part of the folklore of beer in Newfoundland. The traditions they carry as material culture being passed around and as items representing breweries now gone (both Bennett, Carling O’Keefe, and the physical Sudbury Street brewery), has real meaning beyond their “symbol and jargon.” These songbooks, beyond their value as trinkets or artifacts of a commercial culture, are important documents in Newfoundland’s Beer History.
References: Paul Mercer and Mac Swackhammer, “’The singing of old Newfoundland Ballads and a cool glass of good beer go hand in hand’: Folklore and ‘tradition’ in Newfoundland Advertising,” Culture & Tradition 3 (1978) 36-45.
Newfoundland Beer History’s “Tour Guide to Newfoundland Craft Beer.”
Hello and welcome to Newfoundland! Or, if you’re only thinking of coming to Newfoundland and wondering what local beers you can find here, thanks for thinking of us. This page is part of the Newfoundland Beer History project, but it’s written for you, dear tourist. In short, this page is a quick reference guide to finding craft beer in Newfoundland and having a good time doing it. (We have lots of other posts over on the blog about Newfoundland Beer History, including stuff on why beer bottles are shorter in Newfoundland and other strange facts about Newfoundland beer, so check that out if you want to know more information. Want an Newfoundland Beer History 101? We’ve got you covered.)
While you might expect that Newfoundland’s British and Irish culture would dictate that our beers are stouts and red ales, these styles have only recently come back into Newfoundland and for much of the twentieth century (especially since the 1930s) ours was a German Brewing culture. While there are newer craft brewers taking on what might be thought to be more tradition faire (stouts, porters, and reds), expect Newfoundland tastes to side towards the lighter and more crisp side of the beer palate.
First, a couple of things have to be settled from the get go. Liquor sales in Newfoundland are done through a government agency, the Newfoundland Liquor Corporation or NLC. Most of the beers and breweries featured on this page can be found in their locations throughout the province. Corner stores and gas stations in Newfoundland can sell beer, usually in closed, 6 or 12 packs. Most of the beers found in corner stores and gas stations are not craft beer, though, as we will note below, some craft brewers do stock their products there. Two corner stores worthy of note for carrying a larger selection of products by Storm Brewery are Needs Convenience – 69 Military Rd and Halliday’s Meat Market – 103 Gower St (who stock Storm and most Quidi Vidi products).
Second, a note about “non-craft” beer in Newfoundland. Most of the beers from Newfoundland you may have heard about, Black Horse, Blue Star, India Beer, Dominion Ale, or Jockey Club, are not craft beers. At least not according to any conventional definition. They are brewed either by Labatt (AB-Inbev) or Molson (Molson-Coors). You can find out a lot more about them by clicking here, to read our overview of these brands. If you’re a craft beer enthusiast, these are unlikely to appeal to you, however; they should not be totally dismissed. These brands have a long history in Newfoundland and, moreover, both Labatt and Molson still operate breweries in St. John’s and invest in the local economy. If normally drinking “BMC” or anything by a multinational brewery is an anathema to you, maybe lower your guard a little in Newfoundland.
Finally, this post talks about two things. The three Newfoundland craft breweries and bars in St. John’s where you can find their beers. It is not a general guide to drinking in St. John’s. It is also, unfortunately, very St. John’s (“town”) centred. If you go to other parts of Newfoundland (“the bay” or “central”), then you are less likely to find craft beer in bars, though the NLC does carry some brands out there. Similarly, this post does not deal with drinking in Labrador, though in the future we do hope to include blurbs on some of the better places to grab a drink when there. Good so far? Good. Here’s a handy map of the places we’re going to be talking about.
The Basics: Located at 35 Barrows Road, Quidi Vidi Brewing is the oldest of Newfoundland’s craft breweries. Check their website for the seasonal times of their tours and tastings. Their location in the historic fishing village of Quidi Vidi and their beautiful brewery make it a spot worth visiting. Their beer is some of the most widely distributed in Newfoundland and can be found in many corner stores, gas stations, and NLC locations throughout the eastern part of the province. If you’re going to be in St. John’s for a while, it’s better to buy the beer directly from the brewery where they give you a price break as part of their loyalty club (buy five dozen, your sixth dozen is free).
The Beer: Quidi Vidi brews mostly lagers and tends to play along side the larger breweries, rather than the North American craft niche. Their Premium and Light Lagers are fine examples of a craft Canadian Lager/Light Lager. They also brew Eric’s Cream Ale (a lager-ed light ale), Honey Brown (an light brown ale with a sweet honey finish), 1892 (an unusual American Amber Ale with spicy German hops), and a British IPA (a lighter bodied IPA with a sturdy bitterness). Their Iceberg beer (a very light Canadian Lager), brewed with Iceberg water and sold in long neck, blue beer bottles, is a tourist favourite. I notice a slight, pleasant salty note in many of their beers, which could be due to their proximity to the Atlantic Ocean. Who said beer doesn’t have terroir? At Christmas time their seasonal Mummer’s Brew (a stronger version of their 1892) is worth seeking out.
The Basics: Storm brewing is another one of Newfoundland’s older craft breweries, debatably older than Quidi Vidi (they both began in 1995-6). They are located in Mount Pearl, a suburb of St. John’s, and do not do tours or events. They only brew ales and can often be found at the NLC and at the “Needs” convenience stores around St. John’s (the one on Military Road, opposite Bannerman Park, being a safe bet, so is Halliday’s Meat Market – for a few more possibilities see their webpage). They bottle in long neck bottles (sold in 6-packs) and larger, 650 mL “bomber” bottles. Often their products sell out quickly in bottled formats, but can be found in several bars around town quite regularly. They have discontinued the use of stubby beer bottles and they have also stopped brewing their once popular Hemp Ale.
The Beers: Storm’s line, as mentioned, are all ales. Their Irish Red (a roast-forward, sweet and light red ale) is generally the most available, with their Island Gold (a slightly hoppy, light American pale ale) being also fairly common. In the summer time their Raspberry Wheat (light, refreshing, with slightly sweet raspberries) is widely available, while in the winter their Coffee Porter (a dark ale, not quite rich or thick enough to be a craft porter, with local coffee) is around. They also brew a beer for the bar The Duke of Duckworth called “The Duke’s Own” (a more English styled ale, with light ESB qualities). More on the Duke of Duckworth follows below.
Yellowbelly Brewery and Public House
The Basics: Yellowbelly is St. John’s first brewpub and is located downtown at 288 Water Street. They are in a beautifully restored heritage building and are one of the nicest places to grab a pint in St. John’s. Their beer is also the most contemporary to the rest of North America, featuring some more hop forward ales and more pronounced roasted malts. Their beers are also distributed to the NLC in 750 mL bottles, with some seasonal offerings packaged in 1L “flip top” bottles. While easily found at their brewery (for both bottle and on site sale), Yellowbelly’s ales are also found in other bars around St. John’s.
The Beer: Yellowbelly Pale ale (a hop-forward pale ale with some English character) is arguably their flagship beer, with their Fighting Irish Red (a malt-forward red ale) and Wexford Wheat (a light bodied American Wheat) as sound alternatives. Their St. John’s Stout (an Irish Dry Stout with lots of roasted malt) is another classic and one of Newfoundland’s best beers. Keep an eye out for their seasonal offerings which, in the past, have included an IPA (a rarity in Newfoundland) and a pale ale brewed with Newfoundland grown hops. Yellowbelly also brews a beer called “Mummer’s Brew” at Christmas time, which varies from year to year (2011 Spiced Ale, 2012 Chocolate Porter).
The Bars
A general note about bars. The Liquor Control Act (liquor laws in Canada are a provincial matter) stipulates the drinking age is 19+ and:
For establishment licensees alcohol may only be sold during the prescribed hours. The hours of sale are from 9:00 a.m. until 2:00 a.m. An Extended Hours License permits the sale of alcohol until 3:00 a.m. and permits consumption until 3:30 a.m. on the days immediately succeeding Thursday, Friday, Saturday, and Sunday.
The Duke of Duckworth – 325 Duckworth St
The Place: The Duke of Duckworth is perhaps the best place to start and finish your exploration of Newfoundland craft beer. Made (more) famous for its appearance on CBC television’s “The Republic of Doyle,” the Duke is a quaint, English themed pub. They have a great fish and chips, though food is usually more common during the day.
The Taps: The Duke usually caries its own house beer, The Duke’s Own (brewed by Storm – more on the house beer here), as well as other Storm beers (Irish Red, Island Gold, Raspberry Wheat or Coffee Porter) and Quidi Vidi Beers (British IPA, 1892, Iceberg, Honey Brown) tap as well. Other beers include pub standards like Guinness but little else in the way of North American or European craft beer.
The Ship Inn – 265 Duckworth St
The Place: The Ship Inn is best known as a local venue for rock and folk shows, as well as the occasional philosophy lecture. They have a kitchen during the day which also features some pretty good grub. Standing room only during shows, in the afternoon The Ship is a great place to play some pool and enjoy a dark, quite pint.
The Taps: Usually Storm (Irish Red, Raspberry Wheat or Coffee Porter) and Quidi Vidi (British IPA, 1892, Eric’s Cream Ale, Honey Brown) taps are available along side evening drink specials (sometimes as extreme as 3 Jockey Clubs for $5) which make shows very enjoyable.
Bitters, The GSU Pub – Feild Hall at 216 Prince Philip Drive
The Place: Run by the Graduate Student Union (GSU) at Memorial University, the GSU pub has one of the best selections around town for both Newfoundland craft and imported craft beer (notably Picaroons from New Brunswick). Their food also features a wide selection of vegetarian options. If you’re in town for an academic conference, you really should drop by.
The Taps: Yellowbelly (Pale Ale, St. John’s Stout) and Quidi Vidi (Iceberg, Light, 1892, Honey Brown) are often available. And, since they are one of the only places to carry any other North American craft beer, they are a solid local favourite.
Christian’s Bar – 23 George Street
The Place: One of the best places on the infamous George Street to grab a pint, Christian’s is also one of the more interesting places you can be “screeched in.” It’s an Irish themed pub, so be wary of car bomb shots from the more excitable. Stay downstairs if you want to avoid all of that racket and just drink your pint.
The Taps: Quidi Vidi are usually here (British IPA, Iceberg, 1892), especially at Christmas when their Mummer’s brew appears. Sometimes, and more recently, Molson’s India Beer can be found on tap here too.
Other Bars
This guide is always a work in progress and several other bars which have been craft friendly, or that are at least places where craft beer is available in bottles, merit inclusion:
Nautical Nellies – 201 Water St
Erin’s Pub – 186 Water St
O’Reilly’s Pub – 13 George St
Some “Craft Beer Friendly” Restaurants
The following restaurants have been known to offer Newfoundland craft beer options, often in the form of Quidi Vidi taps and Storm Brewing bottles. Because availability varies, we have not listed their specific selections here. These listings are based on user submissions (if you think one’s missing, drop me a note) based on only their beer offerings, though many are quite good restaurants (this post is not a restaurant review for any of these establishments):
Other Places and Things You Should Know
Raymond’s Restaurant, it’s worth noting, has also taken to importing beers through Beer Thief. Beer Thief is a local speciality import club and forum. It’s well worth checking out if you’re in town for awhile. If not, try finding a member and raiding their beer cellar. In town for a really long time? Check out Brewery Lane and Brew Craft for your homebrewing needs. There are a number of very good homebrewers throughout Newfoundland, so ask around and you might find some really great beer.
Special Thanks
Credits to photos are noted below, but special thanks to the following people for contributing information and helping keep the information about taps up to date: Allan J. (bar information), Melissa from Burbs and Beers (who has a great travel writeup), Melanie Cooke (photos), and Peggy E. (for convenience store stock tips).
In the last year, more breweries have opened and been announced than any other time in Newfoundland’s history. From a small group of three or four breweries has grown a list of new names hoping to open up in this province.
New names, new stories, and new beers are coming to Newfoundland. To reflect that, we have begun the process of refocusing this project. Newfoundland Beer History (nlbeerhistory) is changing to newfoundlandbeer.org.
The goal of this change is to document both the past and the present of Newfoundland. To present some of the stories of brewing in Newfoundland and to keep track of new projects, beers, and events. For now a new page has been added to list the announced brewing projects, but more features and updates and in planning here too.